EQUILIBRIUM...Dan Thomas and Ernesto Sarabia
The good all days of "EQUILIBRIUM"...thanks Dan for been a good friend and the best acrobat of the world.
We have done some milles together over the past few years...
Portugal
Spain
France
Belgium
Holland
Ireland
Italy
Germany
Crece
Hong kong
India
Dubai
Qatar
Abu Dhabi
Oman
Jordan
Uk
So many things to tell are grandchildrens!!!
...if i was younger i'll do it all over again.
THE HANDSTAND
The handstand is one of the basic fundamental skills from which many other skills stem. The mastering of this skill will lead to development of other skills and reinforce them along the way.
The first and foremost problem is insufficient strength. Arm muscles are needed to hold the handstand. Stomach and back muscles are needed to keep the body straight.
Secondly, acrobats learning handstands may have a fear of kicking over too hard. While the prospect of falling over the other way is a scary thought, it is necessary to kick up hard enough to get to vertical. And to learn exactly how hard you need to kick, you need to go over, and from there work by trial and error to see how much force you need to apply.
You can overcome this fear by learning how to safely "bail" out. One way is to do a forward roll out of the handstand. Another is to do a quarter twist and step down. Either of these can be applied when you feel that you are going to fall over backwards.
Once you get a better idea of how much you need to kick, try doing some handstands against the wall. While standing facing a wall, kick up to handstand so that your back and feet are touching the wall. As you become more experienced with this exercise, move your hands closer to the wall so that you become less dependent on the wall and more dependent on the strength of your arms.
Holding handstands for a while at a time will also develop the muscles you need. Begin by holding handstands against the wall for 10 seconds at a time. Every several days add on another chunk of time (i.e. another 5 seconds). Then, with a spotter, do some handstands on the floor. The spotter should hold your legs only tight enough to make corrections if you begin to fall.
Also try doing handstands so that your are in a handstand with your stomach against the wall. Move your hands closer to the wall and hold the handstand there. Push your shoulders out so that they are almost touching your ears, and keep your whole body tight. This will work the muscles in your shoulders and upper back responsible for balancing.
Some common mistakes while learning handstands can become bad habits and make handstands harder to maintain.
- The hands should not be wider or narrower than the width of your shoulders.
- Keep your head neutral. If your head is arched back, it will cause your back to arch. If your head is tucked forward, it will cause your back to round.
- Your torso (midsection of the body) should be straight as a board. Have someone observe your handstand from the side and see if your body is straight.
- Your legs should be tight, straight and together. In fact, your entire body should be straight and tight.
To test to see if you are strong enough to hold your body straight, lie on the floor on your back, with your arms down by your side. Tighten your body, keeping it straight along the floor. Then, have someone lift only your feet about 3 feet into the air. If you are still tight, your legs, hips, and torso all should still be as straight as they were when you were still flat on the ground.
Finally, once all these drills have been mastered, practice. Know how your body responds to certain changes, and see what works best for you. Over time, you will learn what a good handstand feels like, and can then try to make it consistent.
ACROBALANCE WORKSHOP AT THE
Dates : 22 & 23 of July (5 hours in total)
If you don’t know how to do a handstand come and learn it!
If you do know how to do one, come and improve it!
Please provide us with full contact details including email (& fax) if you have one.
Keep cheking this page for futher info.
All the best.
Ernesto Sarabia
ERNESTO SARABIA...CV
EDUCATION & TRAINING
Born in Havana,Cuba
Member of the Cuban Gymnastics Team.
Diploma in Circus Art and Theatre at the National Circus School in Havana & Moscow
Degree in Sport Science and Physical Education at the University of Havana.
Men's Artistic Gymnastics Coach (level 3)
Fitness Intructor and Personal Trainer.
Very experienced acrobatic flyer. solo hand balancer, duo, adagio, teeaterboard(catcher and flyer) cradle, tumbling, tight wire, handstands, trampette,trampoline, jugglin, bungee.
MOVEMENT:
Basic Ballet, Contac impro, Contemporary Dance, Salsa.
SPORTS:
Gymnastics, Sports Acro, Judo, Karate, Bodybuilding, swimming and Diving.
Language: English & Spanish
PERFORMANCE HISTORY
The II International Circus Festival of Verona (bascule) Italy
Cirque Phoenix (main à main ,Human Eclipse duo) France
E.N.O English National Opera. Acrobat. G.B
Edinburgh Art Festival (solo handbalancing act) Scotland
The G.O.P tour: German Cabaret & Variete Shows (main à main ,Human Eclipse duo)
The Fashion Circus (Acrobat) G.B
Glastombury Festival (main à main, Aceros duo) G.B
Covent Garden International Festival of Arts (solo handbalancing act) G.B
Equilibrium (acrobalance duo )since 2003 till present.
Nokia, G.B.
Coca-Cola, U.S.A.
Peugeot, Europe.
Bacardi, Spain.
Ford Motors; G.B.
Miller Beer, G.B.
Contact: sarabiaacrobat@hotmail.com
Mobile: + 34 628 852 392